Warning: Contains SPOILERS for X, Pearl, and MaXXXine!

With the release of MaXXXine, Ti West's X trilogy has come to a close, and here is every movie in the series ranked worst to best. Starting with X in 2022, Ti West's horror trilogy took viewers on a decades-spanning journey that explored the horrors and violence that could come about from desires to attain fame, with the story of Maxine Minx and Pearl having a lot of interesting parallels. While each film in Ti West's X trilogy is good, some are better than others, and here is a complete ranking of each one from worst to best.

Ti West's X horror trilogy is much more than a simple series of slasher films, as it is an interesting exploration of how film in its different form has impacted the world throughout its history. Each film in Ti West's X trilogy pays homage to a different era of film, and while X, Pearl, and MaXXXine are all tonally and narratively distinct from each other, this common theme and a few common characters link the trilogy together. MaXXXine wrapped up the story that was first kicked off in X, and now it's time for a retrospective on which film was best.

3 MaXXXine

75% on Rotten Tomatoes

MaXXXine is the third and final film in Ti West's X trilogy, and out of the three films, it turned out to be the worst one. MaXXXine acts as a direct sequel to X, the first film in the series, with it following X protagonist Maxine Minx as she heads to Hollywood in an attempt to continue her pursuit of stardom. After scoring a major role in a highly-anticipated sequel, Maxine's past comes back to haunt her, with a shadowy figure and a PI seemingly threatening to expose her role in the massacre on Howard and Pearl's farm to the world.

Like the other films in the X trilogy, MaXXXine is a homage to a specific period of film, with it being a tribute to the video nasties and direct-to-video horror B-movies of the 1980s. This updated 1980s Los Angeles setting breathes a new life into the X trilogy, with the constant 80s music, neon lights, and crowded LA streets making MaXXXine feel much bigger than its predecessors. Moving away from the rural farm settings and focusing on the serial killers and porn industry of the 1980s was a great idea, with it making the first two acts of the film fantastic.

However, MaXXXine really falls apart in the final act, where it is revealed that the shadowy figure who has been trailing Maxine is actually her evangelical father who was first teased in X. This twist ending is completely unbelievable, as he then kidnaps Maxine and brings her to his religious cult where they hope to make a movie that purportedly features a real-life exorcism. While this could have been an interesting commentary on the Satanic Panic, the reveal and ensuing police shootout is far too goofy for MaXXXine, with it feeling jarringly different from the first hour of the film.

The themes of desiring fame and religious oppression were present in both X and Pearl, and while MaXXXine makes these issues much more integral parts of its story than its predecessor, it seems to have much less to say. In the attempt to mimic the violence and style of the 1980s B-horror movies that MaXXXine is homaging, it loses the soul of what made the first two X movies great. There isn't much left to think about when the credits roll, as MaXXXine's commentary on the dark side of attaining fame has been explored so many times before.

If MaXXXine's third act had lived up to the first two, the new setting, fast pace, and grander scale could have led to it being just as good as its predecessors in the X trilogy. However, the climax and resolution of the film was a real disappointment, leaving a lot to be desired from the final moments of the X trilogy. In an attempt to tie MaXXXine's story back into the reveal of Maxine's religious upbringing from the ending of X, MaXXXine completely falls apart, with it adding too much camp to the one aspect of the X trilogy that should have been played straight.

2 X

94% on Rotten Tomatoes

Ti West's X was the first film in the X trilogy, and it is what kicked off the events that lead to the prequel film Pearl and the sequel film MaXXXine. X follows a small adult film crew who travels to a farm in rural Texas, not telling farm owners Howard and Pearl about their intentions to shoot a pornographic film while they are there. After learning about what is truly going down, the elderly couple picks off the adult film crew one by one, with a massive amount of dead bodies piling up by the end of X's massacre.

X is the most traditional horror film in Ti West's X trilogy, with it clearly being inspired by the early slashers of the 1970s. X was clearly influenced heavily by The Texas Chain Saw Massacre, with the story of a group of young adults finding a rural farmhouse only to be picked off by a strange family being shared by both films. However, this isn't a bad thing, as the grounded and smaller-scale horror story was a breath of fresh air, acting as a throwback among many more complex and higher-stakes mainstream horror flicks.

The strongest part of X is its cast of characters, as unlike many other slasher films, each member of the main cast is a memorable addition with something interesting going on. Despite most of the characters in X's cast ending up dead by the end of the movie, they are still beloved, with additions like Jenna Ortega's Lorraine, Brittany Snow's Bobby-Lynne, Scott Mescudi's Jackson Hole, and the rest of the characters being a ton of fun. The main cast of X is much bigger than the subsequent two films, with it being the strongest roster of the trilogy.

Like many other early slasher films that inspired X, X heavily focuses on themes of sexuality, especially that of its female characters. X is more blatant in its exploration of this topic than some other popular films that have tackled it, as the killers Howard and Pearl are textually punishing the adult film crew for their engagement in sex and the creation of pornographic films. This concept reaches a peak when it is revealed that Maxine comes from a conservative religious upbringing, a masterful setup that is kneecapped in MaXXXine's ending.

Due to the nature of X being the first film in Ti West's X trilogy, it is a little more stylistically generic than its two follow-ups. However, this isn't necessarily a bad thing, as being a straightforward slasher with strong characters is all X needed to be in order to be remembered as a great modern horror film. X is made better by its follow-ups, expanding on the world, themes, and characters in a way that makes X even better on a rewatch.

1 Pearl

92% on Rotten Tomatoes

Of the three films in Ti West's X trilogy, the second film Pearl was the most controversial upon its initial release, but it has turned out to be the best of the three. Pearl acts as a prequel to X, with it being set in 1918 and following a much younger version of the female killer from X. In the film, Pearl wants nothing more than to escape her secluded farm and become a star, although her repressive surroundings cause her desires to break out in much more terrifying and violent ways.

Although Pearl is a semi-generic killer with some humanity in X, she is transformed into the strongest character from throughout the trilogy in Pearl. Pearl perfectly sets up the woman that the titular protagonist becomes in the first film, with her desires for fame and an escape from her surroundings paralleling that of X and MaXXXine protagonist Maxine Minx. Mia Goth plays both Pearl and Maxine in the X trilogy, with this brilliant casting choice creating an even stronger thematic tie between the two characters.

Compared to X and MaXXXine, Pearl is the most stylistically unique of the three films, with it not being a direct homage to a specific genre of horror. Instead, Pearl mimics the style of early Technicolor films and beloved family classics like The Wizard of Oz, although the violence and horror elements create a unique blend of styles and genres that can't be found anywhere else. This is what makes Pearl so special, as it creates a new form of uncomfortably cheery horror that would be incredibly difficult to get to work with nearly any other story.

Mia Goth's performance as Pearl is the most impressive performance in the trilogy, as the entire film rides on her take on a cheery farmgirl who wishes to be a star. Mia Goth's performance in Pearl's eight-minute monologue at the end of the film is absolutely incredible, with it easily being the best scene in the entire trilogy. Despite her being a crazed murderer, Mia Goth still manages to make the audience feel bad for Pearl, something that carries over into X.

Although Pearl is the least traditional horror film, it is the best entry in Ti West's X trilogy, with it most likely to remain the most iconic of the three years down the road. Pearl is one of the best entries in the filmographies of Ti West and Mia Goth, and it acts as one of the best franchise prequels ever. While MaXXXine and X are still really good films, they can't compare to how great Pearl is.