But that’s not all.
To fit in more of the acts that applied, “H2 2024 Grassroots Weekender”, a two-day event at The Wanch on July 13-14 designed to open the door for new artists wanting to perform live on stage, has been added.
“We had so many applications and didn’t want to say no to any artists, so we said ‘Hey, let’s do part two’,” says Keith Goodman, co-owner of The Wanch and H2 Festival founder.
Goodman is happy about the overwhelming response to the festival – and music fans in Hong Kong should be too.
“We have over 400 musicians performing in 100 bands in a combined 10 nights,” he says.
The festival, Goodman says, is a great way to discover the wealth of musical talent that the city has to offer. It features a rich mix of artists and genres.
But do not ask Goodman to name “must-see” bands. Instead of highlighting one act over another, his advises squeezing in as many as possible, regardless of whether you have seen them, or even heard of them.
The festival’s format, which will see each band on stage for around 30 minutes, allows music lovers to squeeze in a lot.
On weeknights during the festival, guests can catch eight bands; the number rises to 11 on weekends and on the July 1 public holiday.
“I really want to market the event, and not individual bands. That’s the whole point,” Goodman says.
Scrolling through the acts is like selecting from a band buffet. There are Canto-rockers Mango Jam, new indie outfit Fish Godmother and grunge group Powerful Moss. Ocean Boulevard will pump out Japanese-style pop, while The Sirens and Repeat Offenders have alternative rock covered.
There will also be solo acoustic sets from Paul Roth and Anmol Gupta, while veteran blues performer Nick Florent will also feature.
Also part of the line-up are folk musicians Naggin’ Eejits, R&B outfit Smooth N Groovin’, and obscure 60s/70s rock specialists Sham Pain Buddha. Punk and post-punk bands Free Yoga Mats, Gonzales Musika and The Sinister Left are also on the bill.
Alt-rockers The Sleeves – Goodman is their frontman – will also perform, as will tribute bands for Jimi Hendrix, The Police, Queen, The Beatles, Royal Blood, Black Sabbath and Iron Maiden.
The line-up is a long way from that of the first festival, a one-day event held in 2010 to mark the change of ownership of The Wanch, when Goodman and business partner John Prymmer – his band Don’t Panic are also playing at H2 – became part of the venue’s new ownership team.
Back then the festival was called Handover Hallelujah in a nod to the bar being handed over to its new owners. It was also held around the July 1 public holiday that marks the 1997 handover of Hong Kong from Britain to China.
Handover Hallelujah expressed the relief they felt after locking in the deal for The Wanch after two years of negotiations.
“At that time we really wanted to celebrate the deal and also re-energise the venue, so we organised the one-day event which, back then, only had about 10-12 bands,” Goodman says.
Today The Wanch occupies a bigger, better location, just down the road from the original spot that it had occupied for more than 30 years. It reopened in 2022, reclaiming its title as one of the city’s best live-music venues.
“A lot of musicians left Hong Kong during Covid but this festival really shows what talent is still here. There’s old bands, new bands – and it’s free,” Goodman says.